Archive for August, 2012

山中問答

問余何意棲碧山?

笑而不答自心閑。

桃花流水窅然去,

別有天地非人間。

This was the celebrated T’ang Dynasty poet Li Bai’s ode to living in a thatched hut on a solitary mountaintop. Leitmotifs among the great poets – he was a wanderer/wonderer as well, and a top class idler, and he loved a drink (and I don’t mean oolong tea).

Such reassuring joy in a few short verses, which is woven around a questioning man – maybe a curious passerby, a woodcutter perhaps heading up the mountain. ‘Why do you, sir, choose to make your home in these mountains?’. The poet smiles. Outside, peach blossoms and falling water, and his heart grows quiet with a joy that words, with their steely logic and cold sharpness, can’t quite describe. Words disect unity like a body on a surgical table. Words deconstruct. Sometimes, solitude and quiet says a whole lot more. There is great beauty in a transient moment, which once you grab at it, you lose it.

William Blake: He who kisses Joy as it flies / Lives in Eternity’s sunrise.

this, is the colour of nostalgia

a quick snapshot taken in Tatev village, Armenia, summer 2011

What would life be like, here?

Sometimes, I wonder what my life would be like, if I had just stopped here.

My ultimate fantasy is to do an Arthur Rimbaud in these gentle lands (where nobody can find on the map), a tabula rasa in a terra incognita, where time, as we know it (public time – the harsh ticking of seconds), doesn’t exist. It is just the turning of the seasons, the ripening of grapevines, olive groves, the ageing of our bodies as we slowly turn toward our graves.

A new life.

Nostalgia is not just the missing of some time past, there is also a nostalgia of the future – of broken promises and possibilities drained away – exactly our human condition now in a world becoming increasingly ‘modern’.

Bookshelves

I sort my bookshelves in chronological order, and after which I am loathe to touch them. I find that it nicely reflects each phase of my life this way.

Malaysian politics (in the height of the 2008 euphoria – the dawning of new possiblities), Zen and the Art of Motorcycle Maintenance, the Rhubaiyat, Che, Ethics, a Guide to Wine… Existentialism for Dummies, Zen Art, the Poor Poet’s Cookbook…

My eye stops on Orhan Pamuk’s rather hefty volume of the Musuem of Innocence. It still sits in a cloud of nostalgia, now made strangely beautiful and enthralling by time. Like an old wound perhaps, with the slightest of scars on it. When you look back, everything, however sad, is bathed in a strangely beautiful light. Appropriate enough, as this is the huzun, that Turkish haze of melancholy that you drown happily in, that starts Orhan Pamuk’s memoir, Istanbul and swirls seductively around most of his work.

My bookshelves are my timeline – the Museum of Innocence brings me back to a significant period of my life, and if I, almost like the protagonist Kemal, come to the smell of freshly-brewed black coffee in a French press, as dark as my mood at that time, I am instantly brought back to those days… Our memories are not as faithful as we like to delude ourselves into believing – what I remember very vividly is sitting in my room, brewing coffee, feeling a sense of dread, leaning on the parapet… these are the fleeting moments that somehow engrain themselves into our memories.

Reading, and writing I find strangely therepeutic, which probably is not a new discovery to anybody, but I find also that I get the same pleasure, the fragile sad sweetness of nostalgia and melancholy, by looking at old books with their worn, yellowed pages and worn spines. I also like to find odds and ends that I deliberately leave within my books, to discover years later – scribbled notes, old receipts, coffee stains, namecards…

A few days ago, I read that the Museum of Innocence is now open, which is what actually gave birth to this little article.

And since my books have soul, I plan to bring my copy of the Museum of Innocence to Istanbul one day, and wander up the cobblestoned streets of Cukurcuma Hill to Fusun’s house, present the ticket enclosed in the book to the guard – exactly as Kemal, the protagonist, envisioned it.

La Mer – looking out and looking back

Looking out over the waters to the pagoda perched serenely above the Sun Moon Lake, its lights beckoning through the night, I am moved by the thought that I was (very) young once. A few years ago, though it feels like time doesn’t even matter – no, it didn’t even feel like decades, it was another world, another life… Actually, we all who have been in love know it – the greatest distance between two points is never time.

In that different life the boy that was me was staying for a monsoon in Pokhara, Nepal, and looking out at the World Peace Pagoda suspended above the lake, dreaming, when my Russian neighbour said simply, it’s a magical place. How fleeting youth is, how quicky time flies. How eager we all are to be grown-up with debts and mortgages, to laugh harshly off our dreams of youth. Now – in his proudly unkempt kurta-wearing place, an impetuous young man, freshly hurled into the world of business, leans against the rails and contemplates the waters, fighting hard to reconcile himself with his dreams, to have the courage and conviction to go – forge – his own way. Comfort comes into your house a slave, a servant, then becomes a guest, and then a master.

It was by the water (the Mekong river, the Mediterranean…) that I first had a glimpse, an intuitive knowing of another world existing other than our increasingly mechanical and empirical one – a shimmering vision of freedom, a world that was still magical, and within it, at its heart, that sacred bud – possibility. It struck me when I was sitting by the marina on the Turkish mediterranean, eating a simple sandwich cobbled together from the local grocer’s, and looking out at the sea at night, that – we are condemned to be free. It is better that there is no grand sweeping narrative, no ‘answer’, to life, than if if there were one, and all our lives would be judged by it. That would make life a fascist concentration camp, which as it is, we are already trying hard enough to replicate.

in another life… Pokhara, Nepal 2008

The price of comfort, stability, acceptance, and even admiration, is conformity.

It is a high price to pay.

Fuck materialism and any other -ism. Isms are dangerous. Our idealism, our freedoms and hopes should never become dogma; it should always be self-conscious, humble, kind and light-hearted. One thing I have discovered on my travels – those with a sense of humour are rarely capable of purposeful evil.

Dream house found – Sun Moon Lake, Taiwan.